Sleepless: A Musical Romance was the first full-scale musical to open in London during the COVID-19 pandemic. Lighting & Sound International spotlight the production, and look into how safe working was achieved. Rob Halliday goes in-depth department-by-department and visits the…
Mesmer's recent seminar for Disguise on creating work for immersive experiences is now online to view on disguise.one. Ian and Salvador of Mesmer delivered an hour-long talk on the process of designing for immersive experiences. This webinar focuses on considerations…
The Video Code aims to be a new standard of conduct for video departments in the live entertainment industry. It will offer a framework to interrupt systemic racism, hold ourselves and others accountable and create a safe environment for those from…
Online theatre has had an interesting journey over the past few months. Intent on making their work available to a remote audience, we’ve seen theatre companies streaming their current or archived shows, commissioning monologues, or conducting play-readings over videoconferencing services.…
The stage adaptation of Patrick Ness’ award-winning YA novel A Monster Calls has won an Olivier award in the ‘Best Family and Entertainment’ category. The play, which was staged at The Old Vic in London last year, was directed by Sally Cookson…
'What Is The City But The People?', the opening event of the 2017 Manchester International Festival, has won Best Event at the inaugural Manchester Culture Awards. Raised high above the pavements, a unique selection of individuals from across Manchester walked…
With the opening of Blade Runner: the Final Cut this month, Secret Cinema celebrate 10 years of immersive theatrical experiences. The interactive event will run for over 60 performances at a secret London location. Over the years, we've been lucky…